THR: You’ve talked about reading the initial pilot script for Killing Eve and scrolling through quite a bit of it before you realized you were being asked to play the central storyteller. Why do you think that is, and what did you learn from that realization?
Sandra Oh: That moment was a real punch in the gut for me because the internalization [that I couldn’t be seen as the lead] was really deep. I get the script, I’m on the phone with my agent, I remember exactly where I was, right by BAM in Brooklyn, and I’m going, “Scrolling, scrolling” (scans her phone). I’m just like, “I don’t know, who am I playing? What’s the part?” [My agent] goes, “Eve! You’re playing Eve.” Something happened to me in that moment where I couldn’t even see myself [as the central character].
Thandie Newton: You hadn’t given yourself permission.
Sandra Oh: Right. Why didn’t I?
Claire Foy: That makes me want to cry.
Sandra Oh: So the fact that [creator] Phoebe Waller-Bridge, BBC America and Sally Woodward Gentle, our producer, said, “Yes, why not this [for me]?” I felt slightly ashamed — and if I can’t see myself in that moment, then other people have that weight as well. And so we need to hold these things up for other people to see.
Thandie Newton: Oh my God, yes.
Sandra Oh: And that’s one of the reasons why I said, “I’m going to take this. I’m gonna leave my life here — I’m going to do everything to make this.”