Category: internet

“The internet is a devastating wasteland”: How…

“The internet is a devastating wasteland”: How social media could be making musicians sick:

Making and sharing music has never been more accessible than it is right now. Even as listeners, we know this: we can get our music on Bandcamp and SoundCloud, no major labels required. But along with the access to technology and the unprecedented ability to share music with people anywhere in the world, the emotional baggage that can come with fame can plague even the smallest independent artist.

“[The internet] is this devastating wasteland where everybody is emoting and creating,” says Sally Gross, a music industry vet turned course leader and principal lecturer in the Music Management graduate program at University of Westminster, London. “Social media and the democratization of the distribution of music, which so many people see as an amazing new frontier, had me thinking, ‘Hang on a minute, what is going to happen to all these people?’”

Gross’s previous experience working firsthand with artists and her current role teaching young musicians about the business inspired the study “Can Music Make You Sick?” Co-authored with Dr. George Musgrave, a senior lecturer in Gross’s MA program, the study was commissioned by Help Musicians UK, a charity established in 1921. Currently under the leadership of Richard Robinson, Help Musicians UK’s goal is to support musicians from the early talent development stages through to retirement; the organization also provides assistance during times of crisis, including crises related to mental health.

Part One of “Can Music Make You Sick,” a pilot survey with input from 2,211 participants, was published in 2016 by University of Westminster’s non-profit music industry information hub, MusicTank. The survey participants are self-identifying musicians in the UK. With the survey, Gross and Musgrave set out to discover how these musicians feel about their working conditions and how they perceive working in the music industry to affect their well being. “[With] the unbelievable amplification of the abundance of music and the value of music seeming to disappear, what was going on in the lives of musicians?” Gross says. “If music and artistic expression is so good for us, what’s on the other side of that?”

In their research, they found that huge numbers of musicians suffer from anxiety and depression and that musicians are at risk to suffer depression three times more than the general public. Although artists “find solace in the production of music,” the study describes trying to build a career in music as “traumatic.” “Musicians feel there are gaps in existing provisions and that something needs to change,” the study reads.

Digital Human: Series 16, Episode 4 – Illusion

“The internet is a devastating wasteland”: How…

“The internet is a devastating wasteland”: How social media could be making musicians sick:

Making and sharing music has never been more accessible than it is right now. Even as listeners, we know this: we can get our music on Bandcamp and SoundCloud, no major labels required. But along with the access to technology and the unprecedented ability to share music with people anywhere in the world, the emotional baggage that can come with fame can plague even the smallest independent artist.

“[The internet] is this devastating wasteland where everybody is emoting and creating,” says Sally Gross, a music industry vet turned course leader and principal lecturer in the Music Management graduate program at University of Westminster, London. “Social media and the democratization of the distribution of music, which so many people see as an amazing new frontier, had me thinking, ‘Hang on a minute, what is going to happen to all these people?’”

Gross’s previous experience working firsthand with artists and her current role teaching young musicians about the business inspired the study “Can Music Make You Sick?” Co-authored with Dr. George Musgrave, a senior lecturer in Gross’s MA program, the study was commissioned by Help Musicians UK, a charity established in 1921. Currently under the leadership of Richard Robinson, Help Musicians UK’s goal is to support musicians from the early talent development stages through to retirement; the organization also provides assistance during times of crisis, including crises related to mental health.

Part One of “Can Music Make You Sick,” a pilot survey with input from 2,211 participants, was published in 2016 by University of Westminster’s non-profit music industry information hub, MusicTank. The survey participants are self-identifying musicians in the UK. With the survey, Gross and Musgrave set out to discover how these musicians feel about their working conditions and how they perceive working in the music industry to affect their well being. “[With] the unbelievable amplification of the abundance of music and the value of music seeming to disappear, what was going on in the lives of musicians?” Gross says. “If music and artistic expression is so good for us, what’s on the other side of that?”

In their research, they found that huge numbers of musicians suffer from anxiety and depression and that musicians are at risk to suffer depression three times more than the general public. Although artists “find solace in the production of music,” the study describes trying to build a career in music as “traumatic.” “Musicians feel there are gaps in existing provisions and that something needs to change,” the study reads.

Digital Human: Series 16, Episode 4 – Illusion

Why It’s Harder to Be a Successful Musician Th…

Why It’s Harder to Be a Successful Musician Than Ever Before | MetalSucks:

Those who read this site regularly know that I’m no industry naysayer. I believe that technology helps music for the better, have supported streaming services from day 1 (literally), think the Internet has done wonders for creativity and music consumption, and think the state of the music industry (and metal industry) in general — from an artistic perspective — is the best it’s ever been in the history of recorded music.

But none of that changes the fact that, in spite of — or maybe because of — those advances, making music for a living is harder than it’s ever been. I’m not pining for the days of yore when rockstars could be rich, or saying kids these days are doing it all wrong, or that art suffers when there’s no investment in it — I’m just stating a fact.

Here’s why:

Digital Human: Series 16, Episode 4 – Illusion

Why It’s Harder to Be a Successful Musician Th…

Why It’s Harder to Be a Successful Musician Than Ever Before | MetalSucks:

Those who read this site regularly know that I’m no industry naysayer. I believe that technology helps music for the better, have supported streaming services from day 1 (literally), think the Internet has done wonders for creativity and music consumption, and think the state of the music industry (and metal industry) in general — from an artistic perspective — is the best it’s ever been in the history of recorded music.

But none of that changes the fact that, in spite of — or maybe because of — those advances, making music for a living is harder than it’s ever been. I’m not pining for the days of yore when rockstars could be rich, or saying kids these days are doing it all wrong, or that art suffers when there’s no investment in it — I’m just stating a fact.

Here’s why:

Digital Human: Series 16, Episode 4 – Illusion

Ex-Threatin Guitarist Joe Prunera Tells All in…

Ex-Threatin Guitarist Joe Prunera Tells All in Exclusive Interview | MetalSucks:

Jered and Kelsey mostly kept to themselves while the other three members hung out — but never too far from Jered’s gaze. “They wanted to keep us close by and under wraps. One morning the three of us went down to breakfast and then went next door to get groceries, and when we returned we got yelled at for not knowing where we were and straying from the group. We were expected to keep close and for them to know where we were at all times. In London, we went to the shops in Camden, and we stuck together as a group. It would’ve been nice to be treated as an adult — ‘Be back here by a certain time.‘”

or someone who’s at the center of one of the biggest scandals to rock the music industry all year, Prunera is remarkably zen about the whole experience, laughing at the ordeal and viewing it as a lesson learned. “When I first was reading about it, I was pretty shocked. When it blew up all over the internet, I was like ‘Wow, this is some heavy shit here,’” he says of his initial reaction. “Now, I’m honestly just kind of chuckling over it. It’s like, ‘Wow, that’s amazing.’ In reality, this whole experience has taught me what not to do on tour, been a huge inspiration to really get my music out there even more and finish all the songs I’ve been writing. Honestly, I’m just inspired to move forward and keep pressing forward and get out there and perform and look at it as a big lesson learned.”

For Prunera, the return to Las Vegas and the implosion of Threatin means back to work at the Wynn Las Vegas Resort convention area handling A/V, lighting, sound and video, where he says his co-workers were incredibly supportive of his endeavor with Threatin. He tells us that his original music is “along the lines of Maiden, Priest, Dio, Savatage, Doro, Queensrÿche that kind of stuff.” As soon as he finishes writing the songs that are currently in the works, he’ll be looking for a band with the goal of getting back on stage as soon as possible. “I live for that kind of stuff,” he enthuses. He had previously been involved in “an Elvis-based” stage production in Vegas, but that fell apart before it could get off the ground.

I tell Prunera that I admire his ability to roll with the punches instead of letting the situation get him down. “Oh yeah, there’s opportunity in everything. Everything works out to your advantage if you let it. This is just the next step in the right direction.”

“Like I said earlier, it’s so crazy you can’t help but chuckle a little bit. It’s insane.”

Digital Human: Series 16, Episode 4 – Illusion

Ex-Threatin Guitarist Joe Prunera Tells All in…

Ex-Threatin Guitarist Joe Prunera Tells All in Exclusive Interview | MetalSucks:

Jered and Kelsey mostly kept to themselves while the other three members hung out — but never too far from Jered’s gaze. “They wanted to keep us close by and under wraps. One morning the three of us went down to breakfast and then went next door to get groceries, and when we returned we got yelled at for not knowing where we were and straying from the group. We were expected to keep close and for them to know where we were at all times. In London, we went to the shops in Camden, and we stuck together as a group. It would’ve been nice to be treated as an adult — ‘Be back here by a certain time.‘”

or someone who’s at the center of one of the biggest scandals to rock the music industry all year, Prunera is remarkably zen about the whole experience, laughing at the ordeal and viewing it as a lesson learned. “When I first was reading about it, I was pretty shocked. When it blew up all over the internet, I was like ‘Wow, this is some heavy shit here,’” he says of his initial reaction. “Now, I’m honestly just kind of chuckling over it. It’s like, ‘Wow, that’s amazing.’ In reality, this whole experience has taught me what not to do on tour, been a huge inspiration to really get my music out there even more and finish all the songs I’ve been writing. Honestly, I’m just inspired to move forward and keep pressing forward and get out there and perform and look at it as a big lesson learned.”

For Prunera, the return to Las Vegas and the implosion of Threatin means back to work at the Wynn Las Vegas Resort convention area handling A/V, lighting, sound and video, where he says his co-workers were incredibly supportive of his endeavor with Threatin. He tells us that his original music is “along the lines of Maiden, Priest, Dio, Savatage, Doro, Queensrÿche that kind of stuff.” As soon as he finishes writing the songs that are currently in the works, he’ll be looking for a band with the goal of getting back on stage as soon as possible. “I live for that kind of stuff,” he enthuses. He had previously been involved in “an Elvis-based” stage production in Vegas, but that fell apart before it could get off the ground.

I tell Prunera that I admire his ability to roll with the punches instead of letting the situation get him down. “Oh yeah, there’s opportunity in everything. Everything works out to your advantage if you let it. This is just the next step in the right direction.”

“Like I said earlier, it’s so crazy you can’t help but chuckle a little bit. It’s insane.”

Digital Human: Series 16, Episode 4 – Illusion

RICHARD BENTALL: Delusions, Paranoia and Socia…

RICHARD BENTALL: Delusions, Paranoia and Social Identity:

Lunctime lecture for you guys from Professor Richard Bentall. A fascinating breakdown of how social identity and mental health are so closely connected.

Digital Human: Series 16, Episode 4 – Illusion

RICHARD BENTALL: Delusions, Paranoia and Socia…

RICHARD BENTALL: Delusions, Paranoia and Social Identity:

Lunctime lecture for you guys from Professor Richard Bentall. A fascinating breakdown of how social identity and mental health are so closely connected.

Digital Human: Series 16, Episode 4 – Illusion

Joe was great guest to have on – the interview…

Joe was great guest to have on – the interview ran long as it was just fun chatting to him. The Awakening was featured in today’s show but we could only fit a snippet, so here it is in full.

Digital Human: Series 16, Episode 4 – Illusion

Joe was great guest to have on – the interview…

Joe was great guest to have on – the interview ran long as it was just fun chatting to him. The Awakening was featured in today’s show but we could only fit a snippet, so here it is in full.

Digital Human: Series 16, Episode 4 – Illusion