Digihuman back again on Monday guys, and we’ve got a little clip to wet your appetite. I’m just happy the phrase ‘science fiction jammie bums’ is on the radio 🙂
Listen to the full show HERE on Monday
I grew up on (500) Days of Summer, Love Actually, and all those romantic comedies that beat us over the head with the “love is persistent” trope. Usually it’s a guy who decides he’s going to go all out to win the girl of his dreams, even if she doesn’t seem at all interested or is already in a relationship. The main thing is that he never gives up.
I loved these movies and their handwritten letters, expensive chocolates, and gifts—a romcom hero could have called anything a grand gesture and I would have lapped it up. My hopelessly romantic adolescent brain thought that I would find The One when they dedicated their life to getting me like Noah in The Notebook and the 365 letters he sent his ex.
So that’s what I ended up with—and it’s exactly what I didn’t want.
Not so much a lunchtime lecture as a link to a full on audio binge.
Piers Plowright is a radio legend. During his time as a BBC radio drama and feature maker from 1968 to 1997 he won the Prix Italia for radio documentaries three times as well as three Gold and two Silver Sony Awards and a Sony Special Award for Continual Dedication and Commitment to the Radio Industry. Since then he has been made a Fellow of the Royal Society of Literature, an honourary doctor at Bournemouth University and a ‘Radio Luminary’ at the prestigious Chicago Third Coast Radio Festival.
If anybody knows about great radio, Piers does. We are honoured and delighted to present his personal picks from the Radio 4 archive, all of which are available for you to listen to right now…
Bring back the noise.
Krukowski, who came to the Consumer Research Center/store to kick off the tour for his new book, “The New Analog: Listening and Reconnecting in a Digital World,” used “noise” to describe the ambient sounds such as air conditioning or breathing that found their way onto analog audio recordings, but he was also speaking of life in the pre-digital world before social media giants’ content streams.
Krukowski, who was the founder and drummer for Galaxie 500 in the late ’80s, worked on the idea of analog versus digital as a fellow at the Berkman Klein Center for Internet & Society in 2015-16. By eliminating noise, he argued, digital technology has isolated authentic sound, though he hoped the debate would not be seen as old versus new, or good versus bad.
But Palmer, a rock ’n’ roll performer who has cultivated an intimate relationship with fans on and off social media, wasted no time lamenting the loss. Instead, she commiserated with Krukowski over a shared displeasure with Facebook. She quoted from Krukowski’s book: “Social media have no content to offer other than what their users provide. Yet that information, too, is limited to isolated signal as defined by the platform — a neat trick.” Then she made her own supporting argument.
“I also hate Facebook, and I hate Facebook more and more every day,” she said, bemoaning the algorithms it uses to determine what is signal and what is noise for its 2 billion users.
“Noise is necessary. If we’re going to stay human, visual, audio, emotional noise, it’s what makes life. If you don’t have it, you don’t really even have the conditions for living. If things are signal only, that literally means there is no room for coincidence, synchronicity, kismet, randomness — the things that make life feel realistic,” she said.
Rosie Matheson’s Boys series is, in this humble digihuman research monkey’s opinion, bloody gorgeous. The light is beautiful, and somehow in each shot she captures something with simmering intensity and yet an overriding intimacy and sensitivity throughout the whole series. She has an incredible talent for getting touching the heart of her subject in each shot. Beautiful example of why film is still such a beautiful, vital medium.